What to Watch on Vimeo

I've set up several Vimeo showcases that allow viewing sets of related videos and animations by project. (Will open in new window)

 

Forest Gods Jungle Spirits (2018-2020)

https://vimeo.com/showcase/7966915 

Buddhaverse Variations (2020)

https://vimeo.com/showcase/7916179 

Excerpts from Experimental Television Center

(from various residencies 1987-1993)

https://vimeo.com/showcase/7941840

Buddhaverse Variations: Chod Dakini Tara Portrait

As my last "before and after" posting showing a source / reference "static" image used as the basis for a video haiku, I chose to offer one of my favorite Buddhaverse Variations to serve as a catchy lead-in to this batch of posts about my new series of short video animations.

The source image (from 2014-15) is a diptych showing Tara (on the right) and a Chod Dakini (on the left). 

Chod Dakini & Tara 

haiku 100

Buddaverse Variations: Jewel Tree

This post is a "before and after" showing source images and one of the haiku animations inspired by them. The "before" images (from 2010) take the form of a protective Thangka referred to as a 'Jewel Tree' - a graphical lineage tree depicting a personalized chain of ancestors and teachers. (In this case, the first  image - Jewel Tree 2 - includes my parents, my grandmother, and teachers such a the Dalai Lama and Terence McKenna. The second image - Jewel Tree 1 - shows me embodied as a teaching Buddha in the form of Avalokiteshavara.) 

Jewel Tree 2

Jewel Tree 1

haiku 20

As a matter of interest, please check out earlier static work (from 2017) where I first started to "glitch the image." I feel the animated haiku versions are more effective / interesting with the individual visual components being independently processed before layering, and with the inclusion of a meditative sound track. What do you think?

BUddhaverse Variations: 21 Taras

This post is another "before and after" showing the source image and one of the haiku animations inspired by it. The "before" is a healing  and protective Thangka from 2005 showing a gathering of 21 Taras (of various colors: red, white, blue, green, yellow).

21 Taras

haiku 91

Buddhaverse Variations: Vajrayogini

This post is a "before and after" showing the source image and one of the haiku animations inspired by it. The "before" is a Thangka from 2008 showing Vajrayogini drinking blood within a 6 pointed yantra (3d merkaba) surrounded by protective entities and other symbols.

Vajrayogini Medicine Thangka

haiku 87

Buddhaverse Variations: Medicine Buddha

I created a number of "static" versions of the Medicine Buddha in the past. I especially liked the use of the golden frame with imprints of herbal remedies used on the square formatted Medicine Buddha portrait. I decided that this could serve as the framework for some video haikus in my Buddhaverse Variations series. 

The square Medicine Buddha is shown surrounded by Dakinis and other protective beings. In front lie a number of offerings, some typical (such as the 'good luck' balls and medicine urn), others more esoteric  and shamanistic (skull, mushroom, merkaba) included with a nod toward Tantric practice and its Bon roots. The offering items shown here have been used as visual elements throughout the new haikus.

Medicine Buddha With Offerings

haiku 42

haiku 123

Buddaverse Variations: In The Beginning

As I began to work on my new set of Tibetan inspired digital glitch animations ('haikus'), it seemed like a natural starting point to harken back to some of the Forest Guardian anims from last year as a starting point. Below are a couple of early Buddhaverse Variations haikus paired with examples of the Forest Guardian anim(s) that they derived from.

haiku 2

haiku 6

Forest Gods 11

haiku 18

Forest Gods 12

What Comes Next?

After showing samples of my first batch of digital glitch animations at the Upstream Gallery last fall, I was asked what was next? Since I had just completed jungle animals, nature spirits, and forest guardians (so called 'gods' and 'goddesses') as subject matter, why not try something with Tibetan Buddhist imagery which so much of my art work has been based upon? I thought that made sense, but just couldn't get my head around exactly how to approach this... 

It was months into the pandemic playing with various IOS apps before I hit upon with a visual approach of image glitching of the source material that actually excited me. I thought it embodied the sense of energy auras that is illustrated in Tibetan art, esp. protective / wrathful entities.

Charnel ground skeletons

Playing around further with other apps, I hit upon this preset that provided blue auric flames and variable glitching. This was exactly what I had been looking for! Here are a couple of examples:

Buddha

Tara

Ultimately, this got my creative juices unblocked and I decided to build up a library of glitch-processed 'components' (figures, objects, backgrounds drawn from my previous static Thangka and Mandala work) which could then be composited together in a Photoshop timeline along with audio tracks (chants and other meditative sounds) to form the basis of a new series of short digital animations.

After working on the first 20 or so animation 'haikus,' I decided to name the series "Buddhaverse Variations" as it became apparent that one visual idea was naturally leading to another variant, sort of like a digital sketchbook. Currently I have 125 haikus (short animations) which collectively run to about 49 minutes of program time (including short interstitial titles for each haiku). I plan to exhibit these using a wide-format digital frame (capable of playing 1080p format resolution videos) as I did previously at the Upstream Gallery last year.

Show of animation work at Upstream Gallery

The show runs from Jan 30 - Feb 23 (Thur-Sun 12:30-5:30) at the Upstream Gallery

As described in recent posts on this blog, my current digital photo-composite series Forest Gods and Jungle Spirits (2018-2020) continues an ongoing visual investigation of the flow of divine energies 'hidden in plain sight' in the world around us. The faces and forms of our own shared, yet dimly recalled, lineage ancestors and protective totem spirits are discernible within the leafy canopy of the old growth forest or within the darkly camouflaged jungle understory.

For this gallery show, I have loaded a digital frame with a collection of short 10-20 second animations based upon the Forest Gods and Jungle Spirits compositions, adding sound and motion to embody the ebb-and-flow of our connection to these hidden energies surrounding us. I've also utilized a range of ‘glitch’ image tools to help evoke the sensation of our too often ‘noisy’ connection with such ancestral beings/energies.

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CHAOS & CALM: ENVISIONING ORDER

Photography 2020, a national juried exhibit

Upstream Gallery website

Forest Protectors Revealed

After completing the panoramic "Hidden Nature" series, I continued to wonder about the issue of invisibility/hiding and exactly how far I had taken that - such that the figures perhaps have become a too-faint hallucination against the jungle foliage pattern. Had the background itself became the subjective foreground overwhelming a viewer's ability to decipher / discover the (intentionally concealed) subjects?

I set out to make work that in some ways was a visual simplification of "Hidden Nature." In these new pieces, the Forest Protectors would be less concealed, faces revealed within the chaotic canopy leaves and branches.

Forest Spirits 01

Forest Spirits 02

Forest Spirits 03

Forest Spirits 04

Follow-on note: for the Upstream Gallery's "Small Works 2020" show in January, I had these images output onto a metallic white paper, creating quite a nice optical depth.

Forest Protectors Embodied

I liked the faces of the Forest Spirit protectors emerging through the leaf canopy of the forest. I started to think about how in reality, the leaves and branches would be swaying or shuffling in the wind, constantly changing the appearance and visibility of the Forest Protectors. With an eye towards earlier forest Goddess animations, I played around with similar a layered approach, with the addition of sound, to build new animations (saved as short .mp4 videos). Here is a sample of a few:

Note that the SW tools I use included IOS apps including D'efect, GlitchArt, and Hyperspektiv. Final layering and sequencing is done in PS on my Mac.

Shaman Dreamtime

While collecting forest canopy images showing inherent "crown shyness" (the observation of trees' branches not interfering with each other - rather leaving open space between each tree in the high canopy) for use in my Forest Spirits pieces, I decided to expand upon the previous playful images of myself with antlers. This time inter-connecting / contrasting the free floating leaf camouflage pattern with highly abstract, yet uniquely organic, "crown shyness" clumping of the upper forest canopy.

Full Moon Shaman

Last fall we had a pig roast with everyone sitting at long tables outside under the Autumn full moon. A friend took several photos of my friend Gaylord and me goofing around with a pair of antlers. What you see below is a set of transformations as I modified the original images to be more 'visionary.'

original photo

original photo

leaves & enhancements

leaves & enhancements

mask added

mask added

Final: Vision Quest

More Glitch Tests

I wanted to play around with a larger, more complex image to apply the various glitch processing upon. I chose a Jewel Tree image as the base with the following results:

This is the original unmodified image:

Forest Goddess Redux

Some more plays on the Forest Goddess / Forest Spirit theme - the hidden, sensed, almost seen:

Vajrayogini Glitches

Been playing around with some glitch FX techniques in Photoshop. Here are samples applied to a Vajrayogini image from my library of composited Buddhist figures.

The original composit image:

Bill Tavis has performed his fractal halftone mapping on my Tara / Dakini diptych resulting in a wonderful GIF animation. Thanks again!

You can read about the source artwork here: Tara Variations.

See more of Bill Tavis's stuff on his Tumblr.

Trippy Tara

Bill Tavis has performed his fractal halftone mapping on my COSM Tara piece resulting in a wonderful GIF animation. Thanks!

See more of Bill Tavis's stuff on his Tumblr.

Hand Trembling Way

So can you tell me how this image was made? It's a little bit analog low-tech for sure, making use of a "rescan" technique I learned from my Experimental TV Center lab days with the wobulator: The original image of hands in an "offering to the Earth" mudra is from a number of years ago,  and I've used this as an element in a number of finished pieces... A few years ago I processed the healing hands image thru the fun and fantastic Percolator iPhone app to create a range of visual processed output frames. These were combined into a GIF recently and then run thru a glitch app or two .(I forgot which ones, sorry!)  Finally, the resulting video was played back in a loop on an iPad and re-captured as a standard video with my phone. (Hence, playing with the angles allow me to get a foreshortened trapezoidal perspective...) I then reduced the HD video footage to a smaller frame size and GIF'd it - results below:

More Glitch Experiments - Glitched Forest Goddess

This is an experiment in creating a glitched forest goddess loop to be positioned 'under' (camouflaged by) leaves, flowers and other offering elements. See the accompanying static image (below anim) for an example of my Forest Goddess series from last year... Now imagine a more layered effect with the leaves (etc.) as the top layer, and one or more glitched figures as background layers. (I'll update this post with an example as soon as I have taken this to the next step...)