A Murder of Crow

This weekend has been an "in your face" one in terms of signs and omens - crows showing up everywhere... I can't shake thinking about a "Murder of Crows" - "murder" being the medieval counting noun for a group of crows (a "flock" of crows being improper terminology). I wonder where that came from? From seeing a clutch of crows picking greedily away at carcasses of dead animals? From the cacophony of cawing coming from a bunch of crows hanging out together in some tall tree canopy?

The first crow made its presence unavoidable, insistent. There on the fence staring straight at me as I drove out of the supermarket parking lot. I thought of the Massive Attack song "Safe From Harm" whose lyrics seemed to capture the moment precisely: I was looking back to see if you were looking back at me to see me looking back at you.

The second occurrence today was equally notable. I was standing in the warm afternoon light when first one crow, then another, made their way noisily over my head and took perch high above in the almost bare fall branches of a large oak tree. Within moments a third crow came to perch and together they merrily squawked loudly back and forth. I got a strange sense that they had come to get my attention - and grab it they did - especially when the fourth crow showed up! Only this one was huge, twice as big as the others. One of the biggest crows I've ever seen.

So now I am left pondering what appears to be a clear message from my ancestor Shamanic spirits. "Wake up and pay attention!"? "We are watching over you!"?? or perhaps "Hey, what's up. Haven't heard from you in a while. We need to talk!"???

Mount Shasta with Spirit Guardian

Shamanic Mandala

I created this mandala for my shamanic friend, Kara, who writes the Conduit of Joy blog site. The overall composition of the animal guardians and guides, their projection upon constellations and their general locations were given to me during a recent journey.

The animal spirits include a panther, an owl, a raven, a lemur, an Egyptian scarab beetle and a lunar moth. Kara, as Durga, rides a lion of power and mastery.

I haven't a clue about how this all fits Kara or the moment of transition she is in, but I hope to find out more soon! I get the feeling that meditating on the locations (quadrant or compass direction) where the animal spirits reside in the mandala would help to reveal deeper significance. One thing that strikes me immediately is how many of the animals have "big eyes" - embodying / symbolizing night vision or acuity of vision?? I think this is certainly a clear message about her shamanic skills!

Ecstatic Body Postures - 2009

This posting will be updated monthly to present posture journeys based upon this year's new moon cycles. For more information about Ecstatic Body Postures, read my previous postings (below) and visit the Cuyamungue Institute. If you are in the New York metropolitan area, contact me and I will ask Marianne Carroll, our local group leader, to contact you with details about the next (monthly) circle.

Mayan Whistle Pose

02.24.09 - Pisces New Moon. Mayan Whistle Pose - This is a "living myth" posture - related to the Hero Twins of the Mayan creation story, The Popol Vuh. For this posture, I created a wide golden necklace matching that found on the original sculptural figure. The ceremonial collar is covered in hermetic hieroglyphs, with specific translations as indicated (see collar detail below).

The trance image is a composite of a number of trance experience as reported by the participants: at the bottom right of image is the rattle with "incense" (spirit smoke) coming off of it, producing the vision space of the ancestors (upper panel). We see a circle of 3 ancestors joined together in a ceremonial circle, each of them in the journey pose, and each wearing the golden collar covered in mystic hieroglyphs. Behind them / emerging from their circle is a pillar of fire and water. Within this portal / vortex can be sensed images of attending spirit animals - protectors and guides. We can see a pair of guardian wolves at the top of the image emerging from the smoke, further down in the mid-section, a pair of totem ravens. Thru the fire and smoke rises the (kundalini energy) snake of transformation. Finally, in the bottom left appears a white cave bear appears to ensure the ceremony results in healing for all.

Mayan Ceremonial Trance Collar

Feathered Serpent Pose

01.26.09 - Aquarius New Moon. This is a time of rapid portal openings and energy shifts: a solar eclipse falls on this new moon, followed 2 weeks later by a lunar eclipse on the full moon gateway. Meanwhile, Venus (in the evening) and Saturn (in the pre-dawn) play in the vicinity of the moon over the coming month... The posture figure is The Feathered Serpent, circa 6000BC-2500BC, found in areas as diverse as Bosnia, Siberia, Peru and India. The pose is classified as a Spirit Journey / Initiation pose.

Here is part of my journey notes:

I am in a desert landscape under a central tree - acacia. In the darkness around me I sense, then clearly see, a large number of animal totem spirits circling and dancing... As it becomes daylight, the spirit animals auras become indistinct, almost imperceptible. Yet I can sense them still dancing and cavorting around me in the landscape. The shadows cast by the tree leaves catch my eye - I see refractions of a full eclipse - a myriad of solar "beads" which glint and shine in synchronicity with the sun and moon conjunction in the sky above.

A hummingbird flies up to my ear and whispers "Let go, let it fall away. This is the time of transformation, of falling away, of stripping away the illusion - to reveal something new and unexpected under the old skin. A new world, a new world tree. Let the old tree come crashing down... let the old skin fall away. Do not fear. Help others around you through their fear of what seems chaotic, out-of-control."

The solar shadow play mentioned above is a real physical effect that I've had the pleasure to witness several times in "waking reality" - it occurs because the tree crown's leaf crossings randomly create a thousand "pin hole" camera-like apertures which transmit silhouettes of the solar eclipse, projecting a myriad of sharp, glittering eclipse images onto the ground below in the tree's shadow. The effect is strongest near totality.