Jungle Spirits Revealed

As described in a previous set of postings (Hidden Nature,  Hidden Nature #3) I created a panoramic jungle screen within which to place / hide totem spirits and ancestral figures. At the time I wrote that the adjacent and overlapping leaf patterns are perceived as 'symmetrical totemic / figurative forms.  The impact [is] similar to Rorschach inkblots. If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.'

I noticed that uncovering the hidden figures within shared digital reproductions (e.g.; smaller JPG files) was difficult for many viewers... That figure-ground issues challenging the viewer was fundamental to the work, after all. This could be understood as a metaphor for ongoing 'search & discovery' underlying shamanic and meditational practices.

In the back of my head ever since the Jungle Panoramas were completed, I've envisioned them as coming to life in a way that would shift focus between concealing and revealing the various underlying figurative elements. Of course, hopefully not 'over revealing' so as to maintain some of the mystery.

Forest Protectors Revealed

After completing the panoramic "Hidden Nature" series, I continued to wonder about the issue of invisibility/hiding and exactly how far I had taken that - such that the figures perhaps have become a too-faint hallucination against the jungle foliage pattern. Had the background itself became the subjective foreground overwhelming a viewer's ability to decipher / discover the (intentionally concealed) subjects?

I set out to make work that in some ways was a visual simplification of "Hidden Nature." In these new pieces, the Forest Protectors would be less concealed, faces revealed within the chaotic canopy leaves and branches.

Forest Spirits 01

Forest Spirits 02

Forest Spirits 03

Forest Spirits 04

Follow-on note: for the Upstream Gallery's "Small Works 2020" show in January, I had these images output onto a metallic white paper, creating quite a nice optical depth.

Forest Protectors Embodied

I liked the faces of the Forest Spirit protectors emerging through the leaf canopy of the forest. I started to think about how in reality, the leaves and branches would be swaying or shuffling in the wind, constantly changing the appearance and visibility of the Forest Protectors. With an eye towards earlier forest Goddess animations, I played around with similar a layered approach, with the addition of sound, to build new animations (saved as short .mp4 videos). Here is a sample of a few:

Note that the SW tools I use included IOS apps including D'efect, GlitchArt, and Hyperspektiv. Final layering and sequencing is done in PS on my Mac.

Shaman Dreamtime

While collecting forest canopy images showing inherent "crown shyness" (the observation of trees' branches not interfering with each other - rather leaving open space between each tree in the high canopy) for use in my Forest Spirits pieces, I decided to expand upon the previous playful images of myself with antlers. This time inter-connecting / contrasting the free floating leaf camouflage pattern with highly abstract, yet uniquely organic, "crown shyness" clumping of the upper forest canopy.

Full Moon Shaman

Last fall we had a pig roast with everyone sitting at long tables outside under the Autumn full moon. A friend took several photos of my friend Gaylord and me goofing around with a pair of antlers. What you see below is a set of transformations as I modified the original images to be more 'visionary.'

original photo

original photo

leaves & enhancements

leaves & enhancements

mask added

mask added

Final: Vision Quest

Hidden Nature

After working on the Forest Goddess series, I began to think about visibility / invisibility and it occurred to me that the jungle environment could provide another impenetrable screen, helping to conceal hidden things not quite obvious, dream-like, perhaps secret. And of course, the jungle is a realm of shamanic practice - the realm of ancestors, plant and animal spirits, ayahuasca visions.

I set about creating a leaf 'screen' based upon iconic jungle foliage. I wanted to make this leaf pattern repeating so I could tile a number of such blocks together into a larger  panoramic aspect ratio. In this process, the adjacent and overlapping leaves began to form symmetrical totemic / figurative forms. The impact was similar to Rorschach inkblots.

If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.

Jungle Panorama 01

Jungle Panorama 02

Like any Rorschach image, your interpretation of what you see represents a shifting understanding / vision based upon a mix of cultural indoctrination, personal dreams, phobias, emotions, etc. 

As a viewer embodying a more traditional 20th Century Western mindset, the jungle is dark, all-encompassing, unknown, unspeakable: it is the "Heart of Darkness" to be avoided, symbolizing a potentially life-threatening path into danger, loss of self, even madness.

For other viewers who embrace the 21st Century "archaic revival," this Western view of the jungle as something to be feared and avoided is 're-coded' with an indigenous world view full of respect, awe, and mystery. It can be a place of healing, self-discovery, and revelation.

Hidden Nature #3

The most current jungle landscape in this series is built up from panels of two sizes with various background leaf patterns that can be re-arranged (like lines in poetry stanza: ABBAABBA) to allow reconfiguration of the work. It would also allow the piece to "wrap around" corners in an exhibition space. Reminds me of James Rosenquist's F-111 wall painting.

Jungle Panorama 03

CU: left side

CU: right side

What do you want? (Dance of the Skeletons)

Official video for the song What Do You Want? from the Gotye album Boardface

Animated and directed by Lucinda Schreiber
Lucinda on Vimeo: http://vimeo.com/user1657924

*******************************************
What do you want?
What do you want from us?
To ask you this much is just a matter of trust
Not an affront
What do you want?

Few here'd be true to your point of view
If they knew
What you want
Who here would choose
To walk in those shoes
Even you can't

So what do you want?
What do you want from us?

What do you want
What do you want that you cannot say?
Show us the faith we're supposed to display
Come what may...
You can't!

So what do you want?
What do you want from us?
It's a matter of trust
That you tell us just
What you want from us

CIrcle of Spirits

I just completed a new piece based upon journey imagery that I received a week ago. The work combines three sources of guidance from three different realms - the sky world, the tree world, and the ocean world.

CIrcle of the Spirits

In the nighttime sky, the Pleiades star cluster is overlaid with a constellation of an owl carrying a rattlesnake in its beak. (The rattle is the Mayan symbol of the Pleiades). The ocean quadrant is populated by whale and dolphins singing song lines of the deep (deep ocean, deep time). The forest quadrant presents a cathedral of redwood trees, the spirits of which are gathering in a ritual circle (called forth by Lady One Death, the great dark spirit of nature).

About the upcoming Annular Eclipse May 20th

Watch this informative video for details and viewing tips.

Spirits of the Redwood Forest

Redwood Spirit Circle ©2012

I just completed this image based upon a journey that I undertook a few months back. During the session, I found myself in a deep redwood forest with sunlight filtering in long beams down to the soft, damp, needle-covered ground. The scent of the redwoods filled the air.

I was wondering about this location - was I understanding it correctly or not? How did I come to be here? How did this connect with my original journey intent querying about running for public office?

Slowly I realized that I was not alone, but surrounded by tall, elongated translucent white figures shimmering in the sparkling light of the woods. I immediately understood them to be the Spirits of the Redwood trees themselves. I queried them as to their purpose coming to me. One replied that they came to call me into their circle and to offer me their strength and courage from their perspective of a thousand years of watching the world go by. "Stand tall. Be strong and courageous as we are. We will be with you." I felt honored by their presence and their support.

King of Mushrooms

From the lovely site Kingdom of Fungi by photographer TAYLOR LOCKWOOD.

Alien Dreamtime

Found image from Tumblr... Wake up to the "felt presence of immediate experience!" From the terence-mckenna-movie blog.

Terra Lucida (World of Light) with Terence McKenna (by ken adams)

Terra Lucida (World of Light) with Terence McKenna from Ken Adams on Vimeo.

Terra Lucida (World of LIghts) is an experimental animation with psychedelic visionary Terence McKenna. McKenna points to a realm of light beyond this current world - We are engaging an imaginatrix of unlimited revelation and post-DNA photon ecologies. McKenna indicates a portal for shamanistic journeying into worlds beyond life where Nothing really ends... The recordings were made circa 1989 in Petaluma, California with collaborator Britt Welin. Assorted vegetables and spore-bearing fruit were also present.

Skulls and Wings - a rorschach visual or Bardo dream?

Alexander McQueen Autumn/Winter 2011 Scarves Film from Alexander McQueen on Vimeo - a short film created by Paris-based director/photographer Babette Pauthier. (wait for video to load...)

The Magic of the Spirit Realm

I periodically meditate on the issue of iconography (physical/visual form) and how this relates to the Buddhist notion that everything is MIND, everything is ONE (and so forth) according to deepest Buddhist teachings. Within these traditions, there is an understanding of the surface (apparent) truth and of deeper (hidden) esoteric truths. In the case of a figure such as Tara, she is seen as a female embodiment of the Buddha. Of course, ultimately, there is only one Buddha MIND such that everything is encompassed. To speak of Tara as a differentiated figure is thus somewhat misleading. Although she presents herself that way to the practitioner/meditator, deep down, it's all mind energy of the ONE (voidness)... Likewise, when the Buddhist teaching of death and rebirth are examined, the Bardo teachings, it is explicitly said that what you experience after death is based upon your expectations. The demons and protectors of the Bardo realm are a mental construct. Self projection of the mind's delusions.

Read more ->

Spirit Totem for My Birthday

In a recent journey, I was given an image to create as a totem for this emerging cycle in my life (or at least for the next few months of transition from fall into winter).

Sagittarian Vision Mirror Totem

The image shows a Snowy Owl perched atop a blooming Prickly Pear Cactus. Owl is holding a Snake in its beak. Behind Owl, in the night sky can be seen the blue-white star field of the Pleiades. Some of the major stars of the cluster mark the head and the tail of the Rattlesnake (in Owl's mouth). In many Mayan dialects, the word for rattle and Pleiades is the same.

Below the Cactus is a pair of flaming antlers - a shamanic gateway and protective sign. On either side sits a pair of Smoking Mirror hieroglyphs (based upon the Aztec variant of this Meso-American symbol with the vision plume merging from the mouth of the skull). The mirror represents contemplation, the smoking mirror is that of journey and vision quest by the Mirror Lord.

Owl has come to me over the last few months introducing itself as a new companion and power animal to guide and watch over me in this next phase of my life.

Upon receiving this journey image and during creation of the actual digital image, I was struck by the similarities of the central totem (Owl, Snake, Cactus) with that of the Mexican flag (Eagle, Snake, Cactus) - itself originally based upon an Aztec hieroglyphic place sign for their capital city of Tenochtitlan (where Mexico City stands today). Legend has it their leader was informed in a dream by the god of war, Huitzilopochtli, that they were to settle in the place where they would find an eagle on a prickly pear cactus holding a serpent. The place where they saw this sight was quite inhospitable - a swampy area in the center of three lakes - on a small island in the Lake Texcoco. This is where they settled and built the great city of Tenochtitlan with its Pyramids of the Sun and the Moon.

A Murder of Crow

This weekend has been an "in your face" one in terms of signs and omens - crows showing up everywhere... I can't shake thinking about a "Murder of Crows" - "murder" being the medieval counting noun for a group of crows (a "flock" of crows being improper terminology). I wonder where that came from? From seeing a clutch of crows picking greedily away at carcasses of dead animals? From the cacophony of cawing coming from a bunch of crows hanging out together in some tall tree canopy?

The first crow made its presence unavoidable, insistent. There on the fence staring straight at me as I drove out of the supermarket parking lot. I thought of the Massive Attack song "Safe From Harm" whose lyrics seemed to capture the moment precisely: I was looking back to see if you were looking back at me to see me looking back at you.

The second occurrence today was equally notable. I was standing in the warm afternoon light when first one crow, then another, made their way noisily over my head and took perch high above in the almost bare fall branches of a large oak tree. Within moments a third crow came to perch and together they merrily squawked loudly back and forth. I got a strange sense that they had come to get my attention - and grab it they did - especially when the fourth crow showed up! Only this one was huge, twice as big as the others. One of the biggest crows I've ever seen.

So now I am left pondering what appears to be a clear message from my ancestor Shamanic spirits. "Wake up and pay attention!"? "We are watching over you!"?? or perhaps "Hey, what's up. Haven't heard from you in a while. We need to talk!"???

Mount Shasta with Spirit Guardian

Fall Equinox - Conjunction of Moon, Jupiter, Uranus

With the Full Moon falling next to the Fall Equinox, I participated in an Ecstatic Body Posture journey circle. As part of the posture enactment, we held up a snake effigy in our left hand and a woven ring of Mugwort in our right. During the journey, a large Owl came to guide and protect me. For others in the circle, Kundalini snakes and oscillating energy played a prominent role.

Fall Equinox Dreams

I came across a photo of the Equinox midnight conjunction showing the moon rays and a brilliant Jupiter below. Reflecting upon this image, I felt the tug of the changing energies of the season working their way from Dreamtime into our time and place. A slow shifting from active summer growth to fulfillment and winter rest / hibernation. I decided to make an image to celebrate this moment.

The image (above) shows the conjunction with moon light radiating brilliantly. A lunar rainbow effect. The spirit owl circles overhead as the spirit snake reaches towards Jupiter. Owl is both wisdom and clarity of vision. Snake is the power of transformation. Just the traits each of us need now in these difficult times...

On either side of Snake are Mugwort offerings, their incense burning skyward. Throughout the world in many different cultures, Mugwort is (has been) recognized as a powerful dream medicine, bringing forth strong, lucid dreams. Mugwort stands as guardian of the gateway to Dreamtime, to our ancestors and spirit guides. Through its smoke or by drinking of Mugwort tea, that door can be opened wide. Collecting the leaves and flowers into a simple sachet for under the pillow provides a powerful effect on dreaming, as well.

Even though it is late in the year and not the prime time to harvest Mugwort, I selected a number of plants to process into tea leaves and smudge sticks (dream wands). Everything is drying right now...

Plant Spirit Healing

This highly recommended book on plant spirit medicine is by Pam Montgomery. I read it last year and it changed my life.

A quote from her website:

The cover photo by Linda E. Law is of Lady’s Mantle. I sat with this image for the longest time wondering about the alien being that is so prominent. This being has a masculine quality to it and I was surprised to not see a more feminine being. Then in a flash I saw it wasn’t an alien after all but, instead, a wise old alchemist. I’ve started to call him Arturo and, of course, Alchemilla (Lady’s Mantle’s latin name) would reveal such a being. You will find that each plant reveals different beings, some are sweet and others are almost disturbing, just like life. These most amazing photos give you a rare opportunity to delve into the essence of the plant.

- Pam Montgomery