Jungle Spirits Revealed

As described in a previous set of postings (Hidden Nature,  Hidden Nature #3) I created a panoramic jungle screen within which to place / hide totem spirits and ancestral figures. At the time I wrote that the adjacent and overlapping leaf patterns are perceived as 'symmetrical totemic / figurative forms.  The impact [is] similar to Rorschach inkblots. If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.'

I noticed that uncovering the hidden figures within shared digital reproductions (e.g.; smaller JPG files) was difficult for many viewers... That figure-ground issues challenging the viewer was fundamental to the work, after all. This could be understood as a metaphor for ongoing 'search & discovery' underlying shamanic and meditational practices.

In the back of my head ever since the Jungle Panoramas were completed, I've envisioned them as coming to life in a way that would shift focus between concealing and revealing the various underlying figurative elements. Of course, hopefully not 'over revealing' so as to maintain some of the mystery.

Hidden Panthers Redux

Here are some new Rorschach panther totem visions. These animations came about as I played around with adding motion via animation to my previous Jungle Panoramas - as described in post above. (Previous Panther visions here.)

Hidden Panthers, Oh My!

The jungle in shamanic practice is a dreamtime filled with plant and animal spirits, as well as ancestors, guides, demons, protectors. Here are some Rorschach panther totem visions.

Forest Goddess Glitch Animation Tests

While obscuring reality of the Goddess's spirit realm literally and metaphorically thru a screen of shifting leaves, I wanted to continue with my glitch investigations. Glitching data to create a noisy transmission channel seems appropriate to me for someone working in a digital art medium. The noise obscures a clear vision of the world represented. Much like our inculcated cultural mindset makes it so difficult for each one of us to release the 'signal noise' of expectations, judgements, memes, and so forth. Meditation and shamanic practice provide pathways beyond the inherent limitations of our minds. How else can we move toward what Terrance McKenna called the 'felt nature of direct experience?'

IF you are interested, here is the original glitch test that I created for this Forest Goddess. See more at this previous posting.

Hidden Nature

After working on the Forest Goddess series, I began to think about visibility / invisibility and it occurred to me that the jungle environment could provide another impenetrable screen, helping to conceal hidden things not quite obvious, dream-like, perhaps secret. And of course, the jungle is a realm of shamanic practice - the realm of ancestors, plant and animal spirits, ayahuasca visions.

I set about creating a leaf 'screen' based upon iconic jungle foliage. I wanted to make this leaf pattern repeating so I could tile a number of such blocks together into a larger  panoramic aspect ratio. In this process, the adjacent and overlapping leaves began to form symmetrical totemic / figurative forms. The impact was similar to Rorschach inkblots.

If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.

Jungle Panorama 01

Jungle Panorama 02

Like any Rorschach image, your interpretation of what you see represents a shifting understanding / vision based upon a mix of cultural indoctrination, personal dreams, phobias, emotions, etc. 

As a viewer embodying a more traditional 20th Century Western mindset, the jungle is dark, all-encompassing, unknown, unspeakable: it is the "Heart of Darkness" to be avoided, symbolizing a potentially life-threatening path into danger, loss of self, even madness.

For other viewers who embrace the 21st Century "archaic revival," this Western view of the jungle as something to be feared and avoided is 're-coded' with an indigenous world view full of respect, awe, and mystery. It can be a place of healing, self-discovery, and revelation.

Hidden Nature #3

The most current jungle landscape in this series is built up from panels of two sizes with various background leaf patterns that can be re-arranged (like lines in poetry stanza: ABBAABBA) to allow reconfiguration of the work. It would also allow the piece to "wrap around" corners in an exhibition space. Reminds me of James Rosenquist's F-111 wall painting.

Jungle Panorama 03

CU: left side

CU: right side

Offering Mandala for Pachamama

I've been thinking for quite awhile about Navaho healing sand paintings. As part of the ceremonial process, real objects such as stones, herbs, flowers and meaningful "trinkets" are incorporated into the visual symbology of the mandala. These temporary mandalas can often be built-up via layers, reminding me of a Peruvian shaman's medicine bundle offering (despacho).

Cut flowers are as transient as any ceremonial sand mandala when it comes to making "art", so I decided that I'd construct a digital version of a floral offering... using photos of actual blooms from my garden - in this case, Mexican Sage, Rose and Datura.

This is one of the images I came up with based upon what I had been making for the Pachamama series (showing her hidden spirit face emerging through forest leaves.

Pachamama Offering Mandala

New Work: Pachamama

While working on new Plant Spirit imagery, I've been listening to some podcasts by Dr. Bruce Damer recounting his new myth about the 'Great Mother' and the evolution of our Earth's biosphere - a hyper-conscious intelligence embodied within and emerging from the neuronal net of plants (root brains), bacteria, and mycelia fungi. (His podcast is called Dr. Bruce's Levity Zone - or you can subscribe via iTunes. Look for episodes from 2013, esp. those recorded at Symbiois festival or at Burning Man.)

Out of this, I began playing with a few elements imaging Pachamama (Great Mother). A couple of examples below.