Showing posts with label xibalba be. Show all posts
Showing posts with label xibalba be. Show all posts

3.02.2013

Raising of the World Tree (video)

I recntly came across this video which shows the Milky Way unfurl over the Southern Ocean along the coast of Australia. Watching at 00:45 into the clip, a beautiful view of the Milky Way rising to a vertical position is recorded - what the Mayans would refer to a the "Raising of the World Tree."

The video by Alex Cherney, titled Ocean Sky, was awarded the overall winner at 2011 STARMUS astrophotography competition.

Ocean Sky from Alex Cherney on Vimeo.

Be sure to watch this full screen to get the best appreciation of the fantastic lime-lapse starry sky imagery.

1.07.2013

Raising the World Tree - Wakah Chan

Maya people honor the Ya'axche or Ceiba Tree (Kapok) as an energetic connection flowing between the Cosmos (sky), Earth, and the Underworld; it's seen to be the embodiment of the cosmic axis, Wakah Chan, connecting the multiple levels above and below a flat Earth (held in place by the four Bacabs, cardinal directions of north, south, east and west). This Sacred Tree of Life is at the center of a complex mythology of Celestial Gods, heros, and deities of the underworld, Xibalba. As World Tree, Wakah Chan also symbolizes the "raised up" path to the Mayan's ancestral home at the center of the Milky Way.

On Winter Solstice, at the beginning of the last calendar round cycle in 3113 B.C., a mythological event / ceremony took place, "The Raising of the World Tree", in which the cosmic axis was reset to center upon rotation around the North Polar star. This "raising" ceremony repeats every calendar round (and thus to be reenacted on December 21, 2012),  establishing a new "heaven" and new "sun" (cosmic age).


Raising Wakah Chan

In addition to my 2012 celestial conjunction series ("Time of Awakening"), I created this image specifically focused on raising of the Wakah Chan - two shamans (male and female) are raising the Cosmic Tree (seen as a Ceiba tree) with the Milky Way crossing at the top, centered on the North star. The celestial bird perches in the top branches of the tree. Below the tree, a frieze of guardians spirits protect the entrance to the Underworld.

This composition is based loosely on Mayan carvings depicting the World Tree and the ceremonial raising of Wakah Chan. Below, I have included one such reproduction (a drawing of a carved stone temple panel) which inspired my piece.

World Tree as Foliated Cross

The Milky Way is depicted as the tree of life where all life came from. Near Sagittarius, the center of our galaxy, the World Tree meets the Ecliptic. The Ecliptic is represented as the horizontal bar crossing the vertical axis of the world tree, with celestial crocodiles, or perhaps vision serpents, at each end of the cross bar. The World Tree is in the form referred to as a "foliated cross." At it's base, a major element of the World Tree includes the K'awak Monster, a giant head with a kin in its forehead. This monster is also a mountain or Witz monster (and represents the entrance to the Underworld). On either side of the "raised up" tree stand a pair of Mayan priests or shamans. On top of the World Tree perches the celestial Quetzal bird, the Principal Bird deity, Itzam Ye.

12.28.2012

Time of Awakening Series


With the projected roll-over of the Mayan Calendar from Bak’tun 13 to the new age of the Fifth Sun this Winter Solstice (Long Count = 13.0.0.0.0), I've been watching and taking note of a parade of interesting celestial events over the last sixth months (starting with the solar transit of Venus, the second of a pair of transits this cycle – the previous transit occurring in 2004). I decided to make a set of commemorative banners to celebrate this unique time period. Of course, to honor the Mayan Long Count vision, I utilized Mayan glyphs, symbology, mythology in these images.

For archeologists and linguists, understanding of Mayan symbols takes on a syncreatic flavor, with some meaning derived from the context of use within codexes and monument carvings, other meaning derived from analyzing the spoken dialects of the region to better “explain” the associations of specific glyphs to various objects, actions, etc. - which often relies upon homonyms of “sound alike” words to expand the meaning context. More visionary archeologists apply a mytho-astromonical analysis to better understand the cultural memes presented, and hope to reveal more esoteric meanings within and between them. The stories and meanings are reflected in the stars. As Above, So Below.

For myself, a mixed astrological / astronomical / archeological / mythical framework flavored by shamanic journey work and dreams enhances my own personal understanding of the mytho-poetic and esoteric meanings originally intended by these glyphs.

Here are the six images that I created:


Venus Transit – June 5, 2012    
1) In the top register, Venus’s path across the solar disk is recorded. Below, in sequence: an image of the solar corona, an image of Venus (with its glyph superimposed), and at the bottom, a glyph for a building or temple (i.e.; earth). Inside this building are two others glyphs: a skull representing the opening to the underworld, topped by one of the 9 Underworld gods. On either side, Vision Serpents open their mouths emitting the heads of ancestor figures - yielding prophecy, instruction, and/or desired communication.


Total Solar Eclipse – November 13, 2012
2) In the center, the total eclipse of the solar disk (marked with the solar deity ‘Ahau’ glyph) reveals the glowing coronal ring in the darkened sky. Directly below, a trio of rabbits guide the full lunar disk through the heavens. (The Mayans saw a rabbit in the moon rather than a human face.) At the bottom stands the goddess Ix Chel in her guise as Grandmother who rules over the moon, the tides, and lunar mysteries. A serpent in her headdress swallows the sun, revealing the total eclipse.



Jupiter / Moon Conjunction – November 29, 2012
3) This commemorates the first of two Jupiter–lunar conjunctions which occur in the last quarter of the year. Jupiter is emerging from the mouth of a Pleiadian sky dragon. (The Mayans believed their ancestors descended from a race of beings who originated in the Pleiades.) At the top, the Pleiades (7 Sisters) watch over this conjunction. The Mayan glyph for this star cluster is a rattlesnake’s rattle.



Pyramid Alignment – December 3, 2012
4) On this night, the planets of Mercury (hummingbird as messenger between the spirit realms, drinking medicine nectar from a Datura flower), Venus (sky jaguar holding the Venus glyph), and Saturn (emerging from a Vision Serpent), come into alignment vertically over the three main Egyptian pyramids in the Giza complex. Such a syzygy occurs once every 2,737 years. The Mayan turtle glyph (i.e.; Earth) in the bottom register of this image shows the three original “hearth stone” stars that mythically founded Mayan civilization. (We now refer to these three stars as Orion’s Belt.) The pyramids at Giza have been shown to exactly map the projection of Orion’s Belt.



Dark Rift Alignment (Winter Solstice) – December 21, 2012
5) On Winter Solstice, during the day, Mayan astronomers understood that the Sun would conjunct the center of the Milky Way (more specifically, the Dark Rift stretching long the central galactic horizon.). Although they could not see the actual alignment during the daylight, they knew that the band of the Milky Way would rotate to a near vertical overhead (in the same way that all of the visible stars rotate during the course of an evening around the axis of the North Star). Likewise, they understood that at midnight on Summer Solstice, the Pleiades (their source of origin) would rise to its zenith in the same sky location.

 The Dark Rift was known as the “Dark Road” or the “Royal Road”. It represented a path to ancestral origins, to the spirits, watchers and gods who resided in the sky realm. The turning of the Milky Way to its most vertical extent during Winter Solstice was mythically envisioned as the raising of the World Tree connecting the three realms (Heaven, Earth and the Underworld). At the base of the tree can be seen a god of the Underworld with his mouth open like a cave entrance deep into the earth. At the top of the tree is found a celestial bird, a symbol of the Polar Star. The arms of the tree (forming the “foliate cross”) symbolizes galactic plane overhead. In the top register appears a blue sky/star band glyphic pattern with a pair of sky gods rowing the celestial canoe across the heavens.

 At this year’s solstice, astronomically both Mars and Venus appear on opposite sides of a linear alignment with the sun. These are shown in the banner on each arm of the foliated cross (along with associated glyphs).



Jupiter / Pleiades / Moon Conjunction – December 25, 2012
6) This commemorates the second of two Jupiter–lunar conjunctions which occur in the last quarter of the year. Jupiter is held by the lunar rabbit and surmounted by a celestial crocodile (related to both Jupiter and the Vision Serpent). At the top, the Pleiades watch over this conjunction. (The Mayan glyph for this star cluster is a rattlesnake’s rattle.) Along the bottom register, a row of Buffo toads dance. This is the species of toad from which Mayan shaman, priests, and royalty extracted a DMT-based potion for use during vision quests.


12.04.2012

What do you want? (Dance of the Skeletons)




Official video for the song What Do You Want? from the Gotye album Boardface

Animated and directed by Lucinda Schreiber
Lucinda on Vimeo: http://vimeo.com/user1657924

*******************************************
What do you want?
What do you want from us?
To ask you this much is just a matter of trust
Not an affront
What do you want?

Few here'd be true to your point of view
If they knew
What you want
Who here would choose
To walk in those shoes
Even you can't

So what do you want?
What do you want from us?

What do you want
What do you want that you cannot say?
Show us the faith we're supposed to display
Come what may...
You can't!

So what do you want?
What do you want from us?
It's a matter of trust
That you tell us just
What you want from us

4.27.2009

Sky Signs: Taurus New Moon Conjunction

Well, perhaps it wasn't quite a new moon last night (Sunday, April 26th), but the moon was certainly at a minimal sliver of silver... Around sunset in the west, the conjunction of Mercury, Moon and the Pleiades stood out to the naked eye!

Today, I meditated on this astronomical event more deeply so as to understand it's possible significance(s)...

Of course, the Pleiades is the snake's rattle constellation for the Maya, the portal to their star ancestors. It's importance is magnified at the Summer Equinox when it's apogee overhead marks the half-year point before the mid-winter opening of the Xibalba Be "dark road" portal to the heart of the galaxy (the land of the ancestors).

The moon confers knowledge of cycles, of transformation, of the Dreamtime and of feminine creative energies. Watching over us at night, the Moon initiates us into the knowledge of the hidden rites, of the great secret of being beyond ego self.

Mercury is the messenger, bringing communication to and from the Gods. In many medicine wheel traditions, the messenger of the Spirit realm is the fleet-winged, nearly invisible Hummingbird.

Thus, this is certainly a moment of high connectivity between us on earth and our ancestors. A time of "Thinning of the Veil". To honor this event, I created the image:


It is based upon the celestial locations recorded photographically last night during the conjunction. The Pleiades is above the moon, here shown in it's rattlesnake form. Below the moon and sightly to the left can be seen the small glowing dot of Mercury. This point marks the focus of the interaction between the hummer and it's flower. The plant is a Datura metel cultivar named "Double Purple" which I grew last year, my favorite Datura flower. (Datura, of course, is known as "Devil's Weed", or in Spanish - la Yerba Del Diablo - but it is known to the Chumash people of California, the Mohave, Yuma, Cahuilla, Zuni and others as toloache from the Aztec toloatizn, "to incline the head". It is used to induce sleep, dreams and divinatory visions.)

12.01.2008

Sign of the Times


Tonight, December 1st, look to the southwest sky right after sunset. Beaming brightly through the twilight you will see a tight three-way conjunction of Venus, Jupiter and the crescent Moon forming an equilateral triangle. This conjunction will continue to be visible for several days after the first of the month, but the planets and moon will move further and further apart, forming a highly skewed triangle.

The Maya believe that the planets and stars provide gateways to alternate dimensions. A conjunction of heavenly bodies is thus a major focus of energies affecting our consciousness. In the case of the current conjunction appearing low in the southwestern skies, the energies are of opening and transformation, returning to the original roots of creation. Perhaps signaling that the opening of the dark path or "Royal Road of the Ancestors" - xibalba be - to the 2012 transformation has in fact begun!

Who are the players in this conjunction?


Venus is both the Morning Star and the Evening Star. Venus serves as a gateway to the Underworld, its rising and setting are times of dangerous, intensely powerful energies. (For the Maya, Venus is not feminine love but rather masculine action, such as required for warfare or the hunt.)

Jupiter is the Old God, the ruler of solar planets and of royal lineages. He is sometimes referred to as Lord One Death and associated with jaguar spirit. Jupiter is thus the fundamental masculine energy of creation. Related closely to Old God are the figures of Hurakan, "Heart of Heaven" - another creator deity (whose aspects include wind, storm, fire) and Itzamna - the Lord of the Fire, Lord of the Underworld (whose aspect includes the Milky Way).

The Moon is often referred to as Lady White Quetzal or First Mother (with aspects of water, the Underworld, feminine energy). Related closely to the Moon is the goddess of fertility, health and the healing arts, Ix Chel, seen to be a young maiden. However, just as the Moon has a light and a dark side, Ix Chel, the maiden, has another side: Chac Chel, the old crone, whose aspects include death, darkness and the Milky Way (home of the ancestors), as well as being a root Earth Goddess.

What this brings into play, then, is the re-mixing of the root energies of masculine and feminine into a new moment of conception. Blessed by the Ancestors, this conjunction announces a new cycle of creation and transformation.

10.24.2008

Durga Altar

As part of the Lady One Death series, I created this image of her embodiment in the form of Durga. Here Durga serves as a fierce protector of the Land of the Ancestors at the gates of Xibalba Be (The Dark Road).

8.05.2008

Ecstatic Body Postures

I had this book on my shelf for years, one that looked interesting, but which I had long since forgotten, gathering dust unread. Then one day a few months ago, while cleaning up the bookcase, I uncovered this book once again: entitled "Ecstatic Body Postures" by Belinda Gore (Bear & Co, Publishing.) It purports to be "an alternate reality workbook."

As I leafed through it, I recalled that the premise of the book is that art and artifacts of cultures around the world include figures (figurines) which show a man or woman or totem animal in specific body positions, arms held this way or that, seated, standing, lying down - and so forth. These body postures are gateways to alternate realities, i.e.;  shamanic tools. Anthropologist Felicitas Goodman discovered quite unexpectedly that people who assume these postures while in a light trance (induced by rattle) report strikingly similar experiences. The results of her research show that certain body gestures, positions and movements, with proper intention and context, trigger altered states of consciousness.

Belinda Gore wrote "Ecstatic Body Postures" to cover a diverse set of re-discovered postures as evaluated and tested by Goodman, Gore and others at the Cuyamungue Institute in Sante Fe, N.M. (http://www.cuyamungueinstitute.com.)
 
A second book on the topic covering still further postures recognized and evaluated since the original text is also available: "Ecstatic Trance; New Ritual Body Postures" by Felicitas D. Goodman and Nana Nauwald (Binkey Kok Publications) - available in the U.S. through the Institute.

That same week after uncovering the book in a pile of neglected tomes and feeling a great interest in the topic, I received an email notice that an Ecstatic Body Posture workgroup had been formed in my area, meeting each new moon to partake in a selected posture. The facilitator of this group is Marianne Carroll, who is being certified at the Institute after extensive training and hands-on group jouneying experience.

Maya Empowerment Posture


This is the first posture that I undertook at the monthly workshop, a posture which has been found in artifacts from as diverse places as Mayan, Minoan and Persian cultural areas. It is considered to be a "healing" posture. Afterwards, I decided to transforming the basic posture/pose diagram based upon trance experiences of the assembled participants. The result is this image (above) informed with the energy of Hunab Ku - the one giver of measure and motion - Lord of our Milky Way galaxy and destination of xibalba be (The Royal Road of the Ancestors.)

(In the following postings based upon a New Moon workshop, I have freely quoted background information from the two trance posture books mentioned above.)

8.04.2008

Shaman's Journey Series

Its all here, folks - vision quests, sacred medicines (ayahuasca, mushroom, peyote, soma), spiritual guides, power animals, flower allies, "xibalba be" (The Royal Road, The Dark Road to the Underworld and the Ancestors), star gates and star ancestors...

Guardian of the Gate


Spirit Circle


Spirit Fire


Spirit Path


Royal Road / Dark Road


Shaman's Gate


Tutiwarai


Spirit Mountain


Spirit Tree