Showing posts with label ayahuasca. Show all posts
Showing posts with label ayahuasca. Show all posts

1.29.2020

Jungle Spirits Revealed

As described in a previous set of postings (Hidden Nature,  Hidden Nature #3) I created a panoramic jungle screen within which to place / hide totem spirits and ancestral figures. At the time I wrote that the adjacent and overlapping leaf patterns are perceived as 'symmetrical totemic / figurative forms.  The impact [is] similar to Rorschach inkblots. If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.'

I noticed that uncovering the hidden figures within shared digital reproductions (e.g.; smaller JPG files) was difficult for many viewers... That figure-ground issues challenging the viewer was fundamental to the work, after all. This could be understood as a metaphor for ongoing 'search & discovery' underlying shamanic and meditational practices.

In the back of my head ever since the Jungle Panoramas were completed, I've envisioned them as coming to life in a way that would shift focus between concealing and revealing the various underlying figurative elements. Of course, hopefully not 'over revealing' so as to maintain some of the mystery.














12.25.2019

Forest Protectors Revealed

After completing the panoramic "Hidden Nature" series, I continued to wonder about the issue of invisibility/hiding and exactly how far I had taken that - such that the figures perhaps have become a too-faint hallucination against the jungle foliage pattern. Had the background itself became the subjective foreground overwhelming a viewer's ability to decipher / discover the (intentionally concealed) subjects?

I set out to make work that in some ways was a visual simplification of "Hidden Nature." In these new pieces, the Forest Protectors would be less concealed, faces revealed within the chaotic canopy leaves and branches.

Forest Spirits 01

Forest Spirits 02

Forest Spirits 03

Forest Spirits 04

Follow-on note: for the Upstream Gallery's "Small Works 2020" show in January, I had these images output onto a metallic white paper, creating quite a nice optical depth.


Forest Protectors Embodied

I liked the faces of the Forest Spirit protectors emerging through the leaf canopy of the forest. I started to think about how in reality, the leaves and branches would be swaying or shuffling in the wind, constantly changing the appearance and visibility of the Forest Protectors. With an eye towards earlier forest Goddess animations, I played around with similar a layered approach, with the addition of sound, to build new animations (saved as short .mp4 videos). Here is a sample of a few:











Note that the SW tools I use included IOS apps including D'efect, GlitchArt, and Hyperspektiv. Final layering and sequencing is done in PS on my Mac.

9.25.2018

Hidden Nature

After working on the Forest Goddess series, I began to think about visibility / invisibility and it occurred to me that the jungle environment could provide another impenetrable screen, helping to conceal hidden things not quite obvious, dream-like, perhaps secret. And of course, the jungle is a realm of shamanic practice - the realm of ancestors, plant and animal spirits, ayahuasca visions.

I set about creating a leaf 'screen' based upon iconic jungle foliage. I wanted to make this leaf pattern repeating so I could tile a number of such blocks together into a larger  panoramic aspect ratio. In this process, the adjacent and overlapping leaves began to form symmetrical totemic / figurative forms. The impact was similar to Rorschach inkblots.

If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.

Jungle Panorama 01

Jungle Panorama 02
Like any Rorschach image, your interpretation of what you see represents a shifting understanding / vision based upon a mix of cultural indoctrination, personal dreams, phobias, emotions, etc. 

As a viewer embodying a more traditional 20th Century Western mindset, the jungle is dark, all-encompassing, unknown, unspeakable: it is the "Heart of Darkness" to be avoided, symbolizing a potentially life-threatening path into danger, loss of self, even madness.

For other viewers who embrace the 21st Century "archaic revival," this Western view of the jungle as something to be feared and avoided is 're-coded' with an indigenous world view full of respect, awe, and mystery. It can be a place of healing, self-discovery, and revelation.

Hidden Nature #3

The most current jungle landscape in this series is built up from panels of two sizes with various background leaf patterns that can be re-arranged (like lines in poetry stanza: ABBAABBA) to allow reconfiguration of the work. It would also allow the piece to "wrap around" corners in an exhibition space. Reminds me of James Rosenquist's F-111 wall painting.


Jungle Panorama 03

CU: left side
CU: right side

8.02.2010

Recommended Reading: Singing to the Plants


Singing to the Plants is a fascinating blog by Stephan Beyer covering aspects of Amazonian shamanism  and related plant medicine topics.

3.28.2009

"Supernatural" by Graham Hancock



Celestial Banner


Just finished Graham Hancock's "Supernatural" exploring what happened 35,000 years ago that made Homo sapien sapien all of a sudden start creating symbolic representations (art) on the inside of cave walls? More than that, why such strange images that can best be viewed as representing a shaman's journey?

Well, everything gets much funkier as Hancock compare's ancient cave art with modern "archaic" plant medicine practices from Siberia and the Amazon. Then throws in fairy lore and alien abduction. It sounds like a fringe mix of subjects, off-putting at best, but his deeper point becomes an study in how the structural aspects of these disparate experiences partake of a common matrix once the "skin" (surface symbology) is minimized thru a conceptual "x-ray" analysis. Ultimately, the book's conclusions about consciousness and alternative realities are something else quite unexpected!

One conclusion follows that of Jeremy Narby (The Cosmic Serpent: DNA and the Origins of Knowledge) ->our DNA consists of approximately 3% coding for genes and 97% which codes for ??? When mathematical analysis is performed on this so-called "junk", it shows statistical distribution characteristics identical to human languages in terms of the "code set" distribution. It has all the characteristics of a constructed semantic system. So it appears as if our DNA is an extended message. To whom? "Us" of the technological present able to decode DNA stands with our machines? Or any human, any where, anytime, in altered states - such as shamans or those who have taken plant medicines? These messages are from whom?

The proposition independently reached by Crick and Watson (co-discoverers of DNA) is that there was never enough time between the cooling of Earth's surface and the appearance of fully functional single celled organisms for the complex system of DNA/RNA replication to have evolved from random mutations and molecular collisions in the "primal soup". On top of that, the DNA system appears almost unchanged throughout all of the phyla of life. Evolution may change physical form, but an organisms genetic mechanism (the DNA/RNA system) has not evolved or changed. The only conclusion that can explain this is that life was introduced to the earth some 4 billion years ago from an outside source. (This is the theory of Panspermia.)

If life on Earth was an alien creation, then it is not a difficult step to envision that the semantic messages in DNA are part of an alien technology to store and transmit information, perhaps forming the basis of instinct, morphic fields, mythic stories, archaic knowledge, and flashes of insight. A technology that can create holographic (trance and dream) experiences. Perhaps teaching us to become human (directed evolution)? Teaching us to enfold ourselves into a symbolic awareness of the world.

Or...

The alternate conclusion (which Hancock leans more strongly towards) is based upon accepting the notion of alternate realities as real. We live in a quantum hyperverse and all it takes is to "retune" the brain (chemically or by ritual) to reach ("read") nearby alternate dimensions - the realm of the spirits, ancestors, plant teachers, fairies, aliens and so forth.

So in this case, the DMT machine elves of McKenna, the power animals and shape-shifting transmutations of shamans, the alien abduction encounters of the modern era, and the fairies of old are all culturally-inflected "skins" placed by consciousness on the extended range of (electromagnetic?) frequencies perceived during trance, trip, dream and death(?)... We are perceiving all of these beings residing normally in alternate dimensions in this multiverse.

The Buddhist vision of endless worlds with innumerable sentient beings is seemingly in agreement on this.

3.08.2009

On the nature of perception, illusion and hyper-dimensionality: DMT Art



Roger Essig - "DMT Entity"



Alex Grey - "Light Weaver"

"Most folks experience an overwhelming sense of being in contact with one or more entities while under the influence of DMT - entities which are 'natural', unavoidable real, but startlingly alien. Perhaps not friendly or malicious, seemingly insightful & knowledgeable yet beyond emotion. This aspect of the experience is what takes it beyond simple mental pattern projection upon 'quantum perceptual noise'... It's the utter strangeness, the self-contained self-defining self-evolving properties of the experience that makes the entities accepted as 'real'."

- partial (updated) comment that I posted today on "Singing to the Plants" blog in response to Steve Beyer's posting "Thoughts on DMT Art." Check out the samples of great visionary art and read Steve's full article.

1.24.2009

Alien Dreamtime live and in color!

I recently came across a blog by Steve Beyer, Singing to the Plants which has a great overview of one of Terrence McKenna's "masterpieces" - the Alien Dreamtime rant, rave, concert.

To quote:

"In many ways, Terence McKenna was a performance artist. With his distinctive voice and self-deprecating humor, he could make even his goofiest ideas sound compelling. One of his great performances took place on February 26 and 27, 1993, at the Transmission Theater, San Francisco, in a multimedia techno-rave event called Alien Dreamtime, which combined McKenna's improvised meditations with the neo-psychedelic visuals of Rose X, and ambient techno improvisations by Space Time Continuum and didgeriduista Stephen Kent."

Near the bottom of the posting is an embedded Google video player which links to a 60 minute recording of the Alien Dreamtime event complete with trippy graphics, great didgeridu and strange tales by the bard. Go check it out!

8.04.2008

Shaman's Journey Series

Its all here, folks - vision quests, sacred medicines (ayahuasca, mushroom, peyote, soma), spiritual guides, power animals, flower allies, "xibalba be" (The Royal Road, The Dark Road to the Underworld and the Ancestors), star gates and star ancestors...

Guardian of the Gate


Spirit Circle


Spirit Fire


Spirit Path


Royal Road / Dark Road


Shaman's Gate


Tutiwarai


Spirit Mountain


Spirit Tree