Showing posts with label animal spirits. Show all posts
Showing posts with label animal spirits. Show all posts

1.29.2020

Jungle Spirits Revealed

As described in a previous set of postings (Hidden Nature,  Hidden Nature #3) I created a panoramic jungle screen within which to place / hide totem spirits and ancestral figures. At the time I wrote that the adjacent and overlapping leaf patterns are perceived as 'symmetrical totemic / figurative forms.  The impact [is] similar to Rorschach inkblots. If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.'

I noticed that uncovering the hidden figures within shared digital reproductions (e.g.; smaller JPG files) was difficult for many viewers... That figure-ground issues challenging the viewer was fundamental to the work, after all. This could be understood as a metaphor for ongoing 'search & discovery' underlying shamanic and meditational practices.

In the back of my head ever since the Jungle Panoramas were completed, I've envisioned them as coming to life in a way that would shift focus between concealing and revealing the various underlying figurative elements. Of course, hopefully not 'over revealing' so as to maintain some of the mystery.














Hidden Panthers Redux


Here are some new Rorschach panther totem visions. These animations came about as I played around with adding motion via animation to my previous Jungle Panoramas - as described in post above. (Previous Panther visions here.)








5.01.2019

Shaman Dreamtime

While collecting forest canopy images showing inherent "crown shyness" (the observation of trees' branches not interfering with each other - rather leaving open space between each tree in the high canopy) for use in my Forest Spirits pieces, I decided to expand upon the previous playful images of myself with antlers. This time inter-connecting / contrasting the free floating leaf camouflage pattern with highly abstract, yet uniquely organic, "crown shyness" clumping of the upper forest canopy.



11.18.2018

Full Moon Shaman

Last fall we had a pig roast with everyone sitting at long tables outside under the Autumn full moon. A friend took several photos of my friend Gaylord and me goofing around with a pair of antlers. What you see below is a set of transformations as I modified the original images to be more 'visionary.'

original photo
original photo

leaves & enhancements
leaves & enhancements

mask added
mask added

Final: Vision Quest


9.28.2018

Hidden Panthers, Oh My!

The jungle in shamanic practice is a dreamtime filled with plant and animal spirits, as well as ancestors, guides, demons, protectors. Here are some Rorschach panther totem visions.




9.25.2018

Hidden Nature

After working on the Forest Goddess series, I began to think about visibility / invisibility and it occurred to me that the jungle environment could provide another impenetrable screen, helping to conceal hidden things not quite obvious, dream-like, perhaps secret. And of course, the jungle is a realm of shamanic practice - the realm of ancestors, plant and animal spirits, ayahuasca visions.

I set about creating a leaf 'screen' based upon iconic jungle foliage. I wanted to make this leaf pattern repeating so I could tile a number of such blocks together into a larger  panoramic aspect ratio. In this process, the adjacent and overlapping leaves began to form symmetrical totemic / figurative forms. The impact was similar to Rorschach inkblots.

If you look carefully (in the enlarged images) you may begin to resolve images of figures and animals concealed in the jungle.

Jungle Panorama 01

Jungle Panorama 02
Like any Rorschach image, your interpretation of what you see represents a shifting understanding / vision based upon a mix of cultural indoctrination, personal dreams, phobias, emotions, etc. 

As a viewer embodying a more traditional 20th Century Western mindset, the jungle is dark, all-encompassing, unknown, unspeakable: it is the "Heart of Darkness" to be avoided, symbolizing a potentially life-threatening path into danger, loss of self, even madness.

For other viewers who embrace the 21st Century "archaic revival," this Western view of the jungle as something to be feared and avoided is 're-coded' with an indigenous world view full of respect, awe, and mystery. It can be a place of healing, self-discovery, and revelation.

Hidden Nature #3

The most current jungle landscape in this series is built up from panels of two sizes with various background leaf patterns that can be re-arranged (like lines in poetry stanza: ABBAABBA) to allow reconfiguration of the work. It would also allow the piece to "wrap around" corners in an exhibition space. Reminds me of James Rosenquist's F-111 wall painting.


Jungle Panorama 03

CU: left side
CU: right side

4.19.2016

Springtime!

The energy is really starting to flow now! Everything is waking up. Spring bulbs blooming, trees leafing out, birds singing.

Gif by Bill Tavis - tumbler site: http://billtavis.tumblr.com

8.14.2015

Alien Dreamtime #2

I fed another one of my original artworks - Inka Dreamtime - into neural processing by the Deep Dreamer Mac app, similar to the settings use in previous post. This is 100 levels of deep dream (the current maximum allowed).


Alien Dreamtime #1

I fed my original artwork Spiral Dreamtime into neural processing by the Deep Dreamer Mac app, testing one of the "Level 5" settings, and generating an animated zoom into the hallucination.


Dreamtime Hiroshima

I came across this image processed thru a Deepdream filter - in honor of the souls lost during the two atomic bombs detonated over Japan in 1945. Let loose the dogs of war?

unprocessed
processed

7.08.2015

#deepdream #inceptionism

Since sample images were released last month, Google's DEEP DREAM neural network software has spread like wildfire across the meme-scape of the Internet. By now most everyone has seen at least a few of these remarkable, strange and disquieting images created by a sort of feedback processing within the layers of neural net's visual recognition algorithms. Self manifesting eidetic visions of a silicon brain.

Here is a 5 minute deep zoom into random noise - what emerges eventually, magically, is a panoply of animals, insects, faces, eyes - an every changing Rorschach of imaginal species. Wonderful! (Watch it full screen!)

1.16.2015

Forest Goddess Variations

My recent Pachamama series got me interested in playing around more with the emergence of a figure from (within) the positive space of a veil of leaves. Here is a selection of Forest Goddess image variations including some calling upon her guise as animal spirit totem.







But a few of the Goddess variations I played with stand out in terms of 'hidden mystery' and embodied forest spirit energy. Check these out:





7.17.2014

Rorschach Re-Imagined: Native American GIFs





Nicholas Galanin (b. 1979, Sitka, Alaska) is a conceptual artist inspired by, and extending, generations of Tlingit creativity. His work strikes a balance between the traditions of his heritage and an incisive contemporary approach to manifesting ideas visually.

To coincide with the exhibition "Your Feast Has Ended" at the Frye Art Museum in Seattle, Galanin collaborated with Seattle-based artist and designer Christian Petersen on a series of animated GIFs that "deal with the ideas of psychology and interpretation" and how ideas (symbols) transform over time. The traditional Native American imagery created by Galanin transforms into the ink blots of the Rorschach test.

Original article: Rorschach Re-Imagined: Artist Nicholas Galanin’s Native American GIF Psychology

3.22.2013

Planetary Mandala

I recently started work on a new series the I have been thinking of as planetary Goddess mandalas. I suppose this might seem astrologically influenced, but not exactly. More shamanically attuned / intended.

The original notion was to work with a double exposure technique using the Goddess bodies overlaid by sacred flowers, tree branches and leaf textures. In the heart of each mandala appears the particular astronomical body. The Goddesses hold court in each image - 4 in the Solar mandala, 3 in the Gaian mandala, 2 in the Lunar mandala, and 1 in the Venusian mandala. Additionally, various associated birds and power animals appear (Earth -> owl, Moon -> hummingbird, Sun -> hawk, Venus -> bat and rattlesnake).


Gaian Goddess Mandala

Lunar Goddess Mandala

Solar Goddess Mandala

Venusian Goddess Mandala

These pieces are current on view in the "Double Exposure" exhibit at the Blue Door Gallery in Yonkers thru April 27th. www.bluedoorgallery.org

1.07.2013

Raising the World Tree - Wakah Chan

Maya people honor the Ya'axche or Ceiba Tree (Kapok) as an energetic connection flowing between the Cosmos (sky), Earth, and the Underworld; it's seen to be the embodiment of the cosmic axis, Wakah Chan, connecting the multiple levels above and below a flat Earth (held in place by the four Bacabs, cardinal directions of north, south, east and west). This Sacred Tree of Life is at the center of a complex mythology of Celestial Gods, heros, and deities of the underworld, Xibalba. As World Tree, Wakah Chan also symbolizes the "raised up" path to the Mayan's ancestral home at the center of the Milky Way.

On Winter Solstice, at the beginning of the last calendar round cycle in 3113 B.C., a mythological event / ceremony took place, "The Raising of the World Tree", in which the cosmic axis was reset to center upon rotation around the North Polar star. This "raising" ceremony repeats every calendar round (and thus to be reenacted on December 21, 2012),  establishing a new "heaven" and new "sun" (cosmic age).


Raising Wakah Chan

In addition to my 2012 celestial conjunction series ("Time of Awakening"), I created this image specifically focused on raising of the Wakah Chan - two shamans (male and female) are raising the Cosmic Tree (seen as a Ceiba tree) with the Milky Way crossing at the top, centered on the North star. The celestial bird perches in the top branches of the tree. Below the tree, a frieze of guardians spirits protect the entrance to the Underworld.

This composition is based loosely on Mayan carvings depicting the World Tree and the ceremonial raising of Wakah Chan. Below, I have included one such reproduction (a drawing of a carved stone temple panel) which inspired my piece.

World Tree as Foliated Cross

The Milky Way is depicted as the tree of life where all life came from. Near Sagittarius, the center of our galaxy, the World Tree meets the Ecliptic. The Ecliptic is represented as the horizontal bar crossing the vertical axis of the world tree, with celestial crocodiles, or perhaps vision serpents, at each end of the cross bar. The World Tree is in the form referred to as a "foliated cross." At it's base, a major element of the World Tree includes the K'awak Monster, a giant head with a kin in its forehead. This monster is also a mountain or Witz monster (and represents the entrance to the Underworld). On either side of the "raised up" tree stand a pair of Mayan priests or shamans. On top of the World Tree perches the celestial Quetzal bird, the Principal Bird deity, Itzam Ye.

12.28.2012

Time of Awakening Series


With the projected roll-over of the Mayan Calendar from Bak’tun 13 to the new age of the Fifth Sun this Winter Solstice (Long Count = 13.0.0.0.0), I've been watching and taking note of a parade of interesting celestial events over the last sixth months (starting with the solar transit of Venus, the second of a pair of transits this cycle – the previous transit occurring in 2004). I decided to make a set of commemorative banners to celebrate this unique time period. Of course, to honor the Mayan Long Count vision, I utilized Mayan glyphs, symbology, mythology in these images.

For archeologists and linguists, understanding of Mayan symbols takes on a syncreatic flavor, with some meaning derived from the context of use within codexes and monument carvings, other meaning derived from analyzing the spoken dialects of the region to better “explain” the associations of specific glyphs to various objects, actions, etc. - which often relies upon homonyms of “sound alike” words to expand the meaning context. More visionary archeologists apply a mytho-astromonical analysis to better understand the cultural memes presented, and hope to reveal more esoteric meanings within and between them. The stories and meanings are reflected in the stars. As Above, So Below.

For myself, a mixed astrological / astronomical / archeological / mythical framework flavored by shamanic journey work and dreams enhances my own personal understanding of the mytho-poetic and esoteric meanings originally intended by these glyphs.

Here are the six images that I created:


Venus Transit – June 5, 2012    
1) In the top register, Venus’s path across the solar disk is recorded. Below, in sequence: an image of the solar corona, an image of Venus (with its glyph superimposed), and at the bottom, a glyph for a building or temple (i.e.; earth). Inside this building are two others glyphs: a skull representing the opening to the underworld, topped by one of the 9 Underworld gods. On either side, Vision Serpents open their mouths emitting the heads of ancestor figures - yielding prophecy, instruction, and/or desired communication.


Total Solar Eclipse – November 13, 2012
2) In the center, the total eclipse of the solar disk (marked with the solar deity ‘Ahau’ glyph) reveals the glowing coronal ring in the darkened sky. Directly below, a trio of rabbits guide the full lunar disk through the heavens. (The Mayans saw a rabbit in the moon rather than a human face.) At the bottom stands the goddess Ix Chel in her guise as Grandmother who rules over the moon, the tides, and lunar mysteries. A serpent in her headdress swallows the sun, revealing the total eclipse.



Jupiter / Moon Conjunction – November 29, 2012
3) This commemorates the first of two Jupiter–lunar conjunctions which occur in the last quarter of the year. Jupiter is emerging from the mouth of a Pleiadian sky dragon. (The Mayans believed their ancestors descended from a race of beings who originated in the Pleiades.) At the top, the Pleiades (7 Sisters) watch over this conjunction. The Mayan glyph for this star cluster is a rattlesnake’s rattle.



Pyramid Alignment – December 3, 2012
4) On this night, the planets of Mercury (hummingbird as messenger between the spirit realms, drinking medicine nectar from a Datura flower), Venus (sky jaguar holding the Venus glyph), and Saturn (emerging from a Vision Serpent), come into alignment vertically over the three main Egyptian pyramids in the Giza complex. Such a syzygy occurs once every 2,737 years. The Mayan turtle glyph (i.e.; Earth) in the bottom register of this image shows the three original “hearth stone” stars that mythically founded Mayan civilization. (We now refer to these three stars as Orion’s Belt.) The pyramids at Giza have been shown to exactly map the projection of Orion’s Belt.



Dark Rift Alignment (Winter Solstice) – December 21, 2012
5) On Winter Solstice, during the day, Mayan astronomers understood that the Sun would conjunct the center of the Milky Way (more specifically, the Dark Rift stretching long the central galactic horizon.). Although they could not see the actual alignment during the daylight, they knew that the band of the Milky Way would rotate to a near vertical overhead (in the same way that all of the visible stars rotate during the course of an evening around the axis of the North Star). Likewise, they understood that at midnight on Summer Solstice, the Pleiades (their source of origin) would rise to its zenith in the same sky location.

 The Dark Rift was known as the “Dark Road” or the “Royal Road”. It represented a path to ancestral origins, to the spirits, watchers and gods who resided in the sky realm. The turning of the Milky Way to its most vertical extent during Winter Solstice was mythically envisioned as the raising of the World Tree connecting the three realms (Heaven, Earth and the Underworld). At the base of the tree can be seen a god of the Underworld with his mouth open like a cave entrance deep into the earth. At the top of the tree is found a celestial bird, a symbol of the Polar Star. The arms of the tree (forming the “foliate cross”) symbolizes galactic plane overhead. In the top register appears a blue sky/star band glyphic pattern with a pair of sky gods rowing the celestial canoe across the heavens.

 At this year’s solstice, astronomically both Mars and Venus appear on opposite sides of a linear alignment with the sun. These are shown in the banner on each arm of the foliated cross (along with associated glyphs).



Jupiter / Pleiades / Moon Conjunction – December 25, 2012
6) This commemorates the second of two Jupiter–lunar conjunctions which occur in the last quarter of the year. Jupiter is held by the lunar rabbit and surmounted by a celestial crocodile (related to both Jupiter and the Vision Serpent). At the top, the Pleiades watch over this conjunction. (The Mayan glyph for this star cluster is a rattlesnake’s rattle.) Along the bottom register, a row of Buffo toads dance. This is the species of toad from which Mayan shaman, priests, and royalty extracted a DMT-based potion for use during vision quests.


7.14.2012

Shaman Art - Starry Web

Well I have been in the hospital for a week now and today, being a bit bored,  I decided to take a photo of bedside myself that my wife shot (yesterday) and convert it to "art" using a handful of iPhone apps. So, here is the result. It's interesting enough that I think I want to try to work on a few more - see if a series develops based upon Ecstatic Body Postures.